I missed the Academy Awards on Sunday for the first time in, oh I dunno, 30 years? It’s a cliche to say that something is “my Super Bowl” but the Oscars really are. It was more than a little strange to catch up on the awards conversation the way most people do these days: through social media clips, podcasts, and, in our little community, celebrity watch spotting.
The Oscars are known as “Hollywood’s biggest night” but it could be argued, based on the volume of press releases in my inbox, that it’s the watch industry’s biggest night as well. Worn & Wound doesn’t typically cover celebrity watch spotting – we think it’s all a little silly given that most of the watches you see on wrists are placed there by stylists or are simply contractual obligations. But I hope you’ll indulge me a bit because I have some thoughts on what we’ve seen recently from one of the most talked about movie stars of the last several years, by cinephiles and watch enthusiasts alike, and I think it could be a watershed moment in how independent watches enter the cultural conversation.
I’m talking of course about Timothée Chalamet, star of Marty Supreme and three time Academy Award nominee. Chalamet has made news among the watch spotting crowd for the way he has casually worn some of the highest end and most sought after timepieces over the course of the last year. On Oscar night, he was wearing an Urban Jürgensen UJ-2, a six figure watch introduced less than a year ago, and already one of the most discussed releases in recent years.
This is not the first time Chalamet has been spotted in an expensive, rare, independently made watch. He’s also been seen in watches made by Simon Brette, Petermann Bedat, and Akrivia, all indie watchmakers and brands with genuine credibility that exist well outside the hype machine. There’s a distinction, I think, between brands like these and, say, F.P. Journe. Brette and Akrivia (founded by Rexhep Rexhepi) feel like they skew younger and hipper. They are upstarts within an upstart community and feel culturally adjacent to design, fashion, and art as opposed to the establishment, old guard brands that stand for luxury just for the sake of it.
Chalamet’s indie phase comes after what is apparently the dissolution of a relationship between the actor and Cartier, a brand he represented in an official capacity (as a “Friend of the House,” in Cartier speak) beginning in 2021. Cartier is about as old guard and mainstream as it gets outside of Rolex, so a move to the indies feels like a deliberate choice.
This begs the question…well, it begs a lot of questions actually. As I said at the top, we get a lot of press releases from brands and their PR reps telling us that big stars are wearing a particular watch at a particular event, but these announcements are almost always for brands with a big, mainstream presence. Mainstream stars tend to wear mainstream stuff. Chalamet is most certainly a big mainstream star at this point, so the fact that he’s wearing such an obscure, aficionado’s brand at the biggest event he’ll attend all year is noteworthy.

Naturally, we’re also forced to wonder how much of this is Timothée and how much is his team, or the influence of some unknown watch whisperer behind the scenes. Is he being paid to wear UJ (or any other brand)? Does the selection of these watches reflect any of his own taste or a personal interest in watches? If it does, is it safe to assume it’s a fairly deep interest? You don’t just stumble upon Urban Jürgensen the way you might with Tudor, or Zenith, unless you already have an interest in this stuff or are surrounded by people who are.
The UJ is an insider’s watch if there ever was one. Given their rarity (have any even been delivered yet?) and the relatively short time since they were publicly revealed, it’s tough to imagine that Kari Voutilainen himself wasn’t involved or at least aware of the loan (or sale?) of a UJ to Chalamet. And that’s also fascinating to consider. Do Kari and Timothée know one another socially? Do they text? What is Kari’s meme game like? We will probably never know, but Timmy might.
I could probably do a little digging and find out exactly what’s going on here, but here’s the thing: I don’t really want to know. There’s a good chance that once I did I’d be sworn to secrecy anyway, and that’s absolutely no fun. I’d rather sit with the many unknowns of how Timothée Chalamet has become a living and breathing amplifier for high end indies. The fact that we don’t have all the answers and there’s a bit of mystery behind it is fun, and leaves the door open to the possibility that he’s a real collector, or at least has a genuine interest in horology that has escaped the industry’s celebrity ambassador machinery. If this is authentic, it feels a little like finding out Rod Stewart is really into model trains, if you happen to be a big model train guy.

The other big open question at this point seems to be whether or not Chalamet wearing these watches has any meaningful cultural impact for the brands on his wrist. At the moment, even though he lost the Oscar on Sunday, his pop culture stock is pretty high. Consider the following: he’s young, he’s in a relationship with one of the most followed women on Instagram, he has a huge movie coming out later this year that will probably have him in the awards conversation yet again, and I think there’s a real chance that Marty Supreme becomes a cult hit over the course of 2026 as it’s more widely seen on streaming platforms, further increasing Chalamet’s reach. In short, he’s likely to be one of the most seen celebrities of the next year and possibly many years to follow. If every time he’s photographed he’s got a $100,000 indie on his wrist, that will have an impact on this segment of the watch community not unlike what we saw 20 years ago when brands like Hublot and Jacob & Co. came to cultural prominence after being name checked in so many rap lyrics.
The difference is that hip hop was at the center of culture 20 years ago and remains there today to a large extent. Movies, to my disappointment, are not. But if Chalamet is the generational movie star that some believe he might turn out to be, the watches he wears, particularly if he has a deep personal interest in them, could achieve a similar cultural cache that we’ve seen with everything from the Jacob & Co. Five Time Zone to the Newman Daytona. Watches like the indies Chalamet has been seen wearing recently don’t enter the culture on their own, they need their own Lisan al-Gaib.
Zach Kazan
2026-03-20 13:00:00


